Tagged: home recording
15 articles we've published with this tag.
Miking a cab vs. amp-sim: getting a clean DI tone that sits rightWhy clean archtop and jazz tones often translate better through amp-sims than high-gain does, and how to set levels so your DI tone sits in a mix properly.By Marc
Micing an acoustic at home: a simple two-mic approach that worksA workshop-tested two-mic setup for recording acoustic guitar at home, without a treated room or expensive gear.By Doug
Recording an acoustic-electric direct: getting a sound that doesn't sound "DI"Piezo pickups sound thin and quacky straight into a DI. Here's how I get a full, room-like acoustic tone without a microphone.By Doug
Running pedals into an amp-sim: why your board doesn't translate straight to DIWhy your pedalboard sounds different through an amp-sim than a real amp, and how to reorder your chain so it actually translates when recording direct.By Martin
Recording an acoustic-electric direct: getting a sound that doesn't sound "DI"Plugging your acoustic-electric straight into the interface usually sounds thin and quacky. Here's why, and what actually fixes it.By Doug
Recording a hollowbody direct: getting a real jazz tone without a micA conservatory-trained session player's approach to DI'd archtop tone: gain staging, amp-sim choices and EQ moves that keep a clean jazz sound honest.By Marc
Amp-sim IR loading explained: why the wrong cab file ruins a good toneImpulse responses make or break amp-sim tone at home. Here's what an IR actually does, and why swapping cab files matters more than any amp model.By Martin
Miking a real amp vs going direct: an honest home-recording comparisonJez compares miking a valve combo with going direct via DI or amp-sim for home recording, and where each one actually falls apart.By Jez
Recording pedals direct: why your ambient chain needs a DI planTracking wet, delay-drenched pedal chains direct? Here's how to DI properly so your reverb tails survive mixing instead of turning to mud.By Martin
Reamping explained: why recording a clean DI first will save your takeReamping means tracking a clean DI first, then running it through amps or sims later. Here's why that one habit fixes most of your home recording headaches.By Daz
Recording acoustic guitar at home: DI, microphone, or both?Plugging in vs putting up a mic — or blending both. Here's what actually works when recording acoustic guitar at home, from a builder who's tried all of it.By Doug
How to use noise gates in your amp-sim chain (and why placement is everything)High-gain amp sims can hiss, hum and squeal without a noise gate in the right place. Here's how to place and dial one in properly.By Daz
How to use a speaker cabinet IR to make your DI tone sound like a real ampImpulse responses turn a flat DI signal into something that breathes like a real cabinet. Jez explains what IRs actually do, how to load them, and why most people get them wrong.By Jez
How to dial in high-gain amp-sim tones at home: avoiding the common mistakesAmp sims sound thin, harsh or fake? Daz walks through the real reasons high-gain DI tones fall apart — and how to fix them properly.By Daz
How to get a good guitar tone recording direct: DI, amp sims and signal chain basicsRecording guitar direct doesn't mean compromising on tone. Here's how to think through your DI and amp-sim signal chain and get results that hold up.By Marc